The Literary Review of Canada

In this Issue

• The LRC 100 (Part One)

  A special feature

• Irreconcilable Differences

  A review of Dying Justice: A Case for Decriminalizing Euthanasia and Assisted Suicide in Canada, by Jocelyn Downie

  By Preston Manning

• Whither the Revolution?

  A review of Adieu, Betty Crocker, by François Gravel, translated by Sheila Fischman

  By Robin Roger

• The Fine Line between Predator and Prey

  A review of Lisa Moore’s Alligator

  By Val Ross

• When Is Equality Not Equality?

  An essay

  By Michael Adams and Amy Langstaff

• Humanity Behind Bars

  A review of The Diary of Abraham Ulrikab: Text and Context, edited and translated by Hartmut Lutz

  By Warren Cariou

• Spying in Lesovia

  A review of Amy Knight’s How the Cold War Began: The Gouzenko Affair and the Hunt for Soviet Spies

  By Wesley K. Wark

• In Defence of Ambiguity

  A review of Jacqueline Best’s The Limits of Transparency: Ambiguity and the History of International Finance

  By Sylvia Ostry

• Another Country

  A review of Ghost Empire: How the French Almost Conquered North America, by Philip Marchand

  By Mark Lovewell

• A Family Affair

  A review of W.O.: The Life of W.O. Mitchell, Beginnings to Who Has Seen the Wind, 1914–1947 and Mitchell: The Life of W.O. Mitchell, The Years of Fame, 1948–1998, by Barbara and Ormond Mitchell

  By Dick Harrison

• Dish with a Representation of the Sense of Hearing

  A poem

  By Stephanie Bolster

• Ginkaku-Ji

  A poem

  By Stephanie Bolster

• Paris. – Au jardin des plantes. – Fosse aux ours.

  A poem

  By Stephanie Bolster

• Bike Accident

  A poem

  By Ewan Whyte

• Ode: On Wars of Love

  A poem

  By Horace, translated by Ewan Whyte

• Letters & Responses

  Zuhair Kashmeri, Kim Bolan, Peter Desbarats, Ken McGoogan, Tim Blackmore, Michael Enright, Clayton C. Ruby and Paul Wilson

• Pictures throughout the issue by Aino Anto

  Aino Anto is a Toronto-based freelance illustrator with interests in editorial illustration and children’s books. Her first work, Len Gasparini’s A Christmas for Carol, was published by Seraphim Editions in 2002. More examples of her work can be seen at www.antostudio.com.

• LRC 100 portraits by Wes Tyrell

  Wes Tyrell is a caricature artist and humorous illustrator. His works can be seen in a variety of publications, including The Globe and Mail and Maclean’s, as well as at www.westyrell.com.