June 2011
Featured Articles
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Shooting the Messenger
An essay
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Dogma's Bulldog
A review of Why Catholics Are Right, Michael Coren
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Culture-Crossed Lovers
A review of It Is Just That Your House Is So Far Away, by Steve Noyes

Bill Russell’s 30-plus year career as an illustrator has taken him from Oakville, Ontario, to Marin County, California. More of his scratchboard work can be found at Billustration.com.
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Shooting the Messenger
An essay
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Dogma's Bulldog
A review of Why Catholics Are Right, Michael Coren
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Culture-Crossed Lovers
A review of It Is Just That Your House Is So Far Away, by Steve Noyes
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Self-destructiveness and the State
A review of Permit But Discourage: Regulating Excessive Consumption, W.A. Bogart; and XXL: Obesity and the Limits of Shame, by Neil Seeman and Patrick Luciani
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Science Fights Back
A review of Media Mediocrity-Waging War Against Science: How the Television Makes Us Stoopid!, by Richard Zurawski
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Recapturing Past Glory
A review of Writing in the Time of Nationalism: From Two Solitudes to Blue Metropolis, Linda Leith
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Iceland As Icarus
A review of The End of Iceland’s Innocence: The Image of Iceland in the Foreign Media during the Financial Crisis, Daniel Chartter
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Avoiding Extremes
A review of The Right Balance: Canada’s Conservative Tradition, by Hugh Segal
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Messy, Experimental and Stimulating
A review of Is Eating People Wrong? Great Legal Cases and How They Shaped the World, by Allan C. Hutchinson
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Cracks
A poem
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Hat Rabbit
A poem
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Grief Observed
A review of Don’t Be Afraid, by Steven Hayward
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"Responsibilizing" the Poor
A review of Governing the Poor: Exercises of Poverty Reduction, Practices of Global Aid, by Suzan Ilcan and Anita Lacey
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The Great Compromiser
A review of Wilfrid Laurier, by Andre Pratte
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Man in Locomotion
A review of Eadweard Muybridge, by Marta Braun
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A Compelling Voice
A review of David Adams Richards of the Miramichi: A Biographical Introduction, by Tony Tremblay
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Modern Love
A review of Progress, by Michael V. Smith; Subtle Bodies: A Fantasia on Voice, History, and René Crevel, by Peter Dubé; and Pretty, by Greg Kearney