Skip to content

From the archives

The Prognosis

Looking the consequences in the eye

The Passport

New-found meaning behind that slim and elegant booklet

The Canadian Conversation

A Polish journalist’s perspective on residential schools

Sticky Situationists

On the origins of the modern spectacle

Nathaniel Weiner

Rethinking the Spectacle: Guy Debord, Radical Democracy, and the Digital Age

Devin Penner

UBC Press

252 pages, hardcover, softcover, and ebook

America’s comic-book villain president is a reality TV star who has been in the public spotlight since the 1980s. Britain’s floppy-haired prime minister plays the bumbling posh man out of a 1990s romantic comedy. And Canada’s prime minister is a handsome failed actor who looks like an action hero — if they actually made action movies about Canadian prime ministers. In all three countries, politics is reduced to jingoist phrases about “the people” and “hard-working taxpayers,” as political leaders repeat their talking points in carefully rehearsed sound bites designed for the twenty-four-hour cable news cycle. At the grassroots, technologies once trumpeted for making politics more participatory have also made it more performative. Twitter hashtags, sign-­holding Facebook selfies, and Instagram stories are the new terrain of semiotic warfare. Public affairs are more mediated and more performative than ever before.

To get away from this disorienting landscape, we...

Nathaniel Weiner lectures in cultural studies at University of the Arts London.

Advertisement

Advertisement