This novel, the fourth by Heather O’Neill, opens in 1873, with two young aristocrats from Montreal’s Golden Mile, Marie Antoine and Sadie Arnett, playing in “a labyrinth constructed out of a rosebush.” The twelve-year-olds stand “back-to-back with pistols pointed up toward their chins.” When a maid dressed only in “drawers” and a “half-undone” chemise races outside to intervene, the pair’s intended game quickly turns to murder, a crime that binds them for life.
Despite their culpability, the friends grow up relatively unscathed from the incident. A decade later, “wild” Marie inherits her father Louis’s sugar factory, which she oversees with ruthless zeal. Meanwhile, “blackhearted” Sadie — after a stint abroad in a boarding school for difficult girls — discovers a love of titillating storytelling and eventually becomes a celebrated writer of pornography.
Such privilege is unknown to those who inhabit the Squalid Mile, O’Neill’s fictitious name for the...
Ruth Panofsky teaches English literature at Toronto Metropolitan University. She recently received the Royal Society of Canada’s Lorne Pierce Medal.