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From the archives

Between Words

Anne Carson’s new book-without-a-spine, and the spiritual experience of centrelessness

O Brother, Where Art Thou?

A postmodern elegy from our most original writer

Boredom as a Political Weapon

Saul Bellow fought banality—and taught us to look hard at the world

Unwrapped

It’s beginning to look a lot like Dickens

Alexander Sallas

When it comes to Charles Dickens, I have more than a few gaps. I’ve never read Nicholas Nickleby, A Tale of Two Cities, or The Pickwick Papers. The Mystery of Edwin Drood remains a mystery. The Old Curiosity Shop remains . . . well, a curiosity. And every time December rolls around, I’m reminded that A Christmas Carol just sits there.

I’ve seen several film adaptations. My favourite is Scrooge, the 1935 remake with sound, starring Seymour Hicks in a delightfully crusty turn as the title curmudgeon. Later versions featuring Alastair Sim, Albert Finney, and George C. Scott were polished and respectable if increasingly schmaltzy. I never cared for Bill Murray’s mean-spirited Scrooged, which turns the penny-pinching Victorian moneylender into a cynical 1980s television exec. I did care quite a lot for The Muppet Christmas Carol, with Michael Caine’s gravitas perhaps outshone only by the...

Alexander Sallas was previously the Literary Review of Canada’s assistant publisher.

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