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From the archives
What could be next for democracy
Why we still love John Candy
When falsehood can look so like the truth
Emily Mernin reviews Ghost Stories of the Great Lakes, by Mark Leslie. John Casey on Adrian Michael Kelly’s Maybe It’s Me. A writerly panorama.
A panoramic reflection
Somewhere between patriotism and nationalism
How section 33 barrels along
The Hill has eyes
When women filled the factories
Fascists, flights, and fakeries
On the shelf and off the rack
In a blaze of spandex
Where’d that mammoth go?
Toward a better understanding of addiction
When at first you don’t succeed
Why we’ve heard it all before
Sidewalks, trails, and other pathways
Ian Brown realizes he’s no spring chicken
To be young and mobile
Finding what was always there
It all started with a picture
If not for the book clubs of Dubai
The magic of Bill Bissett
Thélyson Orélien’s suddenly controversial novel
Eric Dupont’s pulp fiction
Colin McAdam reimagines a Greek pastoral
In the style of Wayne Grady
Michelle Porter looks through the cracks
A novel by Christine Fischer Guy
Eric Beck Rubin on saying goodbye
That was a ridiculous idea
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