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From the archives

Positively Shady

The glamorous activism of M.A.C Cosmetics

Muslim Pride

A timely LGBTQ memoir

Minor Hockey as Big Business

The disturbing shift from kids’ game to pricey investment

From Wedding Cake to Music Garden

The neglected story of Toronto’s public art revolution

Mark Lovewell

Creating Memory: A Guide to Outdoor Public Sculpture in Toronto

John Warkentin

Becker Associates and the City Institute at York University

347 pages, softcover

ISBN: 9780919387607

"Sculpture intended for outdoor public sites is costly,” notes John Warkentin in Creating Memory: A Guide to Outdoor Public Sculpture in Toronto. “It takes time and support of many different kinds.” This set of constraints helps explain the remarkable differences in the stock of outdoor public sculpture found in various Canadian cities. Montreal’s rich sculptural heritage, for example, says much about the centuries-long creative tensions between the English and French. Vancouver’s collection may be smaller due to its more recent origins, but in many ways it is as impressive as Montreal’s, especially in the imaginative appropriation of aboriginal themes by West Coast artists.

Toronto’s accumulation of sculpture is so varied and wide-ranging as to be virtually impossible to categorize. This is one reason Warkentin’s meticulous study is so welcome. There is more public sculpture in Toronto than in any other city in Canada—more than 600 works, in...

Mark Lovewell has held various senior roles at Ryerson University. He is also one of the magazine’s contributing editors.

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