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From the archives

Football Fables

The beautiful game bestrides the world like a colossus

But Blind They Were

The fallacy of an empty continent

Alberta and Me

From a land of oil, true enough

Cold Comforts

On two sublime exhibitions

John Geddes

Winter Count: Embracing the Cold

Katerina Atanassova, Wahsontiio Cross, Jocelyn Piirainen, and Anabelle Kienle Ponka

Goose Lane Editions

304 pages, softcover

David Blackwood: Myth & Legend

Edited by Alexa Greist

Goose Lane Editions

144 pages, hardcover

The introduction to Winter Count: Embracing the Cold serves notice that the paintings in the National Gallery of Canada’s big exhibition by the same title are not to be taken lightly. Jean-François Bélisle, the museum’s director and CEO, repeatedly leans into words like “endurance,” “resilience,” and “survival.” As he puts it in this handsome and bilingual book, “Winter teaches that beauty and brutality can coexist.”

It sounds daunting. Thankfully, the actual art gathered for this seasonal survey is heavy on beauty and light on brutality. In fact, only a handful of the 164 works in Winter Count evoke hardship. From impressionist superstars to Group of Seven heroes, from Scandinavian snowscape specialists to Inuit printmakers, these pages brim with delight in winter scenes along with the pleasures of cozy interiors.

Some of the pieces might serve as reminders that harsh weather demands respect. Yet nobody who looks at Jeannie...

John Geddes previously worked as the Ottawa bureau chief for Maclean’s.

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