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From the archives

Canada Daze

Barrelling toward a strange kind of death

24 Sussex Dive

On some very late homework

Muslim Pride

A timely LGBTQ memoir

Issues

April 2007

Cover art and pictures throughout the issue by Tom Pokinko Tom Pokinko is a graphic artist based in Montreal. His work has appeared in The Progressive, Clamor and Fine Books & Collections, as well as with the United Nations Association in Canada. His portfolio is available at www.tompokinko.com.

The Inner Frye

The notebooks reveal a passionate and endearing side to Canada’s great literary critic

Bob Rodgers

Iraq and the Future of the United Nations

Is the 2003 split in the Security Council leading to the disintegration of a multilateral world order?

Edward C. Luck

Searching for Race-Neutral Ground

An author declares the equality hopes of the Charter a promise not met

Denise Chong

Referendum? What Referendum?

A constitutional expert argues that the federal insistence on clarity has paid off

Sujit Choudhry

Down the Toilet

A splashy review best not read at the breakfast table

David Cameron

Don’t It Always Seem To Go...

… that you don’t know what you’ve got ’til it’s gone?

John Stapleton

Heroic Measures

How a small group of dedicated activists saved some of Europe’s greatest artists from the Nazis

Bernice Eisenstein

The Novel as Rubik’s Cube

The secrets of gayness are embedded in a cleverly confusing structure

Allan Peterkin

The View from Alice Munro

With canny lies and family truths, a fiction writer mines her own life

Margaret-Ann Fitzpatrick-Hanly

Allergic to Dirty Politics

A researcher explores rural women's reasons for refusing to run for office

Rosemary Speirs

A Place with Pizzazz

How an ethnic enclave morphed into a trend-setting neighbourhood

Kenneth Bagnell

An Intriguing But Incomplete Picture

A Canadian book reduces Iranian politics to religious infighting

Saeed Rahnema

Shadow Dancing with the Americans

The hitherto untold story of 60 Mohawk paddlers and the siege of Khartoum

Desmond Morton

The Past Reframes Itself

A 1960s icon unrepentantly faces down two younger historians

Mel Watkins