Ontario (and now East Coast) poet Wayne Clifford has published, in Abducting the Cello (Porcupine’s Quill), a sonnet series sensitive to “a profound love of music in all its forms.”
From the archives
Through the eyes of Jody Wilson-Raybould and Michael Wernick
Chrystia Freeland asks if we can tell “makers” from “takers” among the new super-rich
Ontario (and now East Coast) poet Wayne Clifford has published, in Abducting the Cello (Porcupine’s Quill), a sonnet series sensitive to “a profound love of music in all its forms.”