Donny plays like he’s fighting for his life, like he’s flushing
a fever, saving orphans, damming a flooding river. Forgive
the jagged attack. Play with the fury of the bereaved. Like
soldiers they’d tried to communicate over static smoke.
The war has no solution for marriage. Start with warning
shots. Kandahar is the backdrop of the unconscious, broken
walls where children pick bullet casings for play, where
slow suicides approach in dusty cars. Bach needs no transla-
tion. Counterpoint’s the universal language, and harmony
is hot. Play like you’re James Joyce. Morning traffic clears
its throat. Next door, starts the rabbi’s prayer harmon-
ized by pigeons. The metronome is medicine. Play like an
ice-breaker cracking a path through a stiffened river. Play
like you’re Mont Blanc’s pyramid gleaming above shred-
ded clouds. Maybe they are Aristophanes’s comic couple,
two bodies sewn back to back, impossible lovers: gorge
and starve, open and cold, poor and wrong. He’s distracted
by desire the way birds follow the river of threaded needle
south to Trois-Rivières. He’s always stepping on his part-
ner’s toes. He’s a soldier, a gunner, a sapper panicked by his
own exploding bowels. Play like you’re fighting for your
wife. Music needs no translation. Bach said it’s just hitting
the right keys at the right moment. Now you’re swim-
ming, breathing with the ligatures, recalling the cadence.
You thank the lamb for the yarn you follow, the sweaters
she’s knit you. The violinist’s ornaments are perfect. Thank
her for her sprezzatura. Thank the piano for its strings
and forgive yourself yourself. You are filled with desire
for the silent dark, the prayers of pigeons cracking your
dreams, her hair sweeping your neck. Swimming back along
the river, the needles of every pine and fir reach for you.
Swimming back along the river is like being orphaned and
reborn, following a bright umbilical of white water. Play
like you’re the hidden river buried metres below the whirl-
ing waters. Play like you’ve opened the river’s mouth.
Naomi Guttman is the author of Reasons for Winter (Brick Books, 1991) and Wet Apples, White Blood (McGill-Queen’s University Press, 2007), which won the Adirondack Center for the Arts Literary Award for Best Book of Poems. Her novella-in-verse, The Banquet of Donny & Ari: Scenes from the Opera, will be published by Brick Books in March 2015.