In December 1998, Chloe wanders through her aunt’s apartment in Toulon, France. She has only a few hours to herself before her father’s sister comes out of surgery. The small flat — which once belonged to the thirty-two-year-old writer’s paternal grandparents — has been the only constant familial home she’s known. It served as an immovable point, complete with its immovable characters (Grand’-mère, Grand-père, Tante Denise), during years of geographic upheaval that saw her, her sister, and her parents bounce between Switzerland, Australia, the United States, France, and Canada. Now its emptiness — both of her grandparents died in the past few years — strikes her. She notices the stillness of the objects surrounding her:
Having been repositories of history, of family, of a kind of private magic, would they now simply become again things, the dingy, broken detritus of an anonymous past? If nobody lived here, if nobody...
Emily Mernin is the magazine’s associate editor.