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From the archives

Positively Shady

The glamorous activism of M.A.C Cosmetics

Muslim Pride

A timely LGBTQ memoir

Minor Hockey as Big Business

The disturbing shift from kids’ game to pricey investment

Revisiting a Powerful Myth

A new history and an opera retell the tale of the children’s crusade

Ray Conlogue

The Children’s Crusade: Medieval History, Modern Mythistory

Gary Dickson

Palgrave Macmillan

256 pages, hardcover

ISBN: 9781403999894

Children’s Crusade

R. Murray Schafer, music and libretto

Tim Albery, director

Co-commissioned by Luminato Toronto Festival of Arts and Creativity and Soundstreams

ISBN: N/A

We all know, or believe we know, the story of the children’s crusade. In the year 1212, many thousands of French and German children spontaneously set out on foot toward the Mediterranean, thence hoping to make their way to Jerusalem and evict the infidels from the Holy Land. Some may remember the event from parental readings of popular children’s stories such as Jerusalem and the Crusades (1913), Joan’s Crusade (1947), The Children’s Crusade (1958), An Army of Children (1978) and The Scarlet Cross (2006)—a small selection from a significant body of literature.

Others will be familiar with Sting’s song “Children’s Crusade” (available as a ringtone), or perhaps one or more of the 20th-century literary or operatic versions by Bertolt Brecht, Gabriele d’Annunzio, Benjamin Britten, Gian Carlo Menotti and Kurt Vonnegut (Slaughterhouse Five is subtitled The Children’s Crusade: A Duty-Dance with...

Ray Conlogue is a former arts writer for The Globe and Mail and author of The Longing for Homeland in Canada and Quebec (Mercury Press, 1996), an analysis of the cultural and historical dimensions of Quebec’s independence movement, as well as being a translator, teacher and author of a young adult novel.

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