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From the archives

The Treaties

Ottawa negotiated in bad faith

Making a Scene

Experimental film is ready for its close-up

A More Sentimental Man

Michael Ondaatje’s late style

Christina Crook

Christina Crook is partial to typewriters, snail mail and travelling on foot. Her essays and interviews have appered in UPPERCASE, Geez and MUSE magazine. When not penning poetry on the backs on napkins, she is exploring the world alongside two little marvels: Madeline and Thomas.

Articles by
Christina Crook