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From the archives

Alberta and Me

From a land of oil, true enough

Referendum? What Referendum?

A constitutional expert argues that the federal insistence on clarity has paid off

The Grey Plateau

When the world stopped five years ago

Determined Mavericks

Making independent movies is a never-ending struggle against the Hollywood machine.

Geoff Pevere

Shoot It! Hollywood Inc. and the Rising of Independent Film

David Spaner

Arsenal Pulp Press

304 pages, softcover

ISBN: 9781551524085

“I stuck a camera in the middle of the street and just shot people.”

Reflecting on his origins as a film maker to the Vancouver movie critic and journalist David Spaner, the African-American filmmaker Charles Burnett (Killer of Sheep, To Sleep with Anger) taps the very heart of the so-called “independent” movie-making spirit. Indeed, it is the spirit that gives Spaner’s book on the history of non-studio filmmaking its title—Shoot It! Hollywood Inc. and the Rising of Independent Film—and that links Burnett with such other noteworthy do-it-yourself types as Orson Welles, Dennis Hopper, John Cassavetes, Jim Jarmusch, François Truffaut, Jean-Luc Godard, Susan Seidelman, Miranda July, Nicole Holofcener and Catherine Breillat.

Burnett has not made a feature in quite some time. His fiercely independent spirit has ensured his marginalization in short films, TV movies and documentaries for most of his career, and this part of his story is as...

Geoff Pevere’s latest book is Gods of the Hammer: The Teenage Head Story (Coach House, 2014). He is the program director of the Rendezvous with Madness Film Festival in Toronto and is currently at work on a book about the mythology of rock music.

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