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From the archives

Between Words

Anne Carson’s new book-without-a-spine, and the spiritual experience of centrelessness

O Brother, Where Art Thou?

A postmodern elegy from our most original writer

Boredom as a Political Weapon

Saul Bellow fought banality—and taught us to look hard at the world

Hunters and Foragers

Dean Steadman’s poetry has been published in journals and e-zines, as well as in the anthology Pith and Wry: Canadian Poetry, edited by Susan McMaster (Scrivener Press, 2010). He is the author of two chapbooks: Portrait w/tulips (Leaf Editions, 2013) and Worm’s Saving Day (AngelHousePress, 2015). He was a finalist in the 2011 Ottawa Book Awards for their blue drowning (Frog Hollow Press, 2010). His second poetry collection, Après Satie — For Two and Four Hands, was published by Brick Books in spring 2016. He is currently reading Yann Martel’s The High Mountains of Portugal and Sue Sinclair’s Heaven’s Thieves.

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