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From the archives

Alberta and Me

From a land of oil, true enough

Referendum? What Referendum?

A constitutional expert argues that the federal insistence on clarity has paid off

The Grey Plateau

When the world stopped five years ago

MuchMusic’s Checkered History

Searching for women in a revolution that was televised

Andrea Warner

Is This Live? Inside the Wild Early Years of MuchMusic The Nation’s Music Station

Christopher Ward

Random House Canada

336 pages, softcover

ISBN: 9780345810342

Fearless As Possible (Under the Circumstances): A Memoir

Denise Donlon

House of Anansi

352 pages, hardcover

ISBN: 9781487000028

In 1984, a Montrealer named Corey Hart went from relative anonymity to rock stardom, complete with screaming mobs of fans. Hart’s debut album had been released in Canada the year before, to tepid results. A warmer response from the American market surely helped. But there was another factor: 1984 was the year MuchMusic launched, beaming Hart’s pouty lips and spiked hair into Canadian homes, making Hart this country’s first music video star. I was five years old at the time, and Hart’s First Offense and Michael Jackson’s Thriller were the only two LPs I considered mine. I knew all the words to the songs, perhaps because, like many music aficionados a decade older than me, I had gone from never having seen a music video to being able to recreate every twitchy, fright-night move of the creeper zombie dance, and spending my evenings running through the back alley of an East Vancouver living room, pretending my already-thick spectacles were sleek, dark...

Andrea Warner is a writer, critic, and author of We Oughta Know: How Four Women Ruled the ’90s and Changed Canadian Music. She co-hosts the weekly feminist pop culture podcast Pop This!

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