Skip to content

From the archives

Positively Shady

The glamorous activism of M.A.C Cosmetics

Muslim Pride

A timely LGBTQ memoir

Minor Hockey as Big Business

The disturbing shift from kids’ game to pricey investment

His Response

George Elliott Clarke’s side of the story

Keith Garebian

J’Accuse . . . !: (Poem versus Silence)

George Elliott Clarke

Exile Editions

208 pages, softcover

The poet George Elliott Clarke has won many awards and distinctions, but he has also found himself one of this country’s most excoriated writers in recent years. The backstory is a long one. In 1995, on the outskirts of Regina, Steven Tyler Kummerfield (“an ex-Crown minister’s grandson”) and Alex Ternowetsky (“a prof’s scion”) raped and murdered a young Indigenous mother named Pamela George. Some twenty years later, Kummerfield struck up a long-distance literary friendship with Clarke, who was completely unaware of the criminal past of his correspondent, now an aspiring poet. Not long after that, a new climate of guilt by association emerged, in which “hectoring, conjecturing rednecks — (some branded with protectorate doctorates)” could take up a bully pulpit and slander a figure like Clarke without compunction. “I praised good poetry by a bad man. / I wasn’t whitewashing Bloodshed. / I was trying to advise a poet — / not help him scrub up as sparkly as...

Keith Garebian has published thirty books and five chapbooks, including the poetry collections Three-Way Renegade and, most recently, Stay. He is featured in the third volume of Laurence Hutchman’s In the Writers’ Words.

Advertisement

Advertisement