Daniel Garisto

In “She Unnames Them,” her 1985 New Yorker short story, Ursula K. Le Guin reimagines a radical Genesis: “The insects parted with their names in vast clouds and swarms of ephemeral syllables buzzing and stinging and humming and flitting and crawling and tunnelling away.” As an act of feminist rebellion, the story’s nameless yet recognizable heroine dissolves the “Linnaean qualifiers that had trailed along behind them for two hundred years like tin cans tied to a tail.” That impulse is not shared by…