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From the archives

Positively Shady

The glamorous activism of M.A.C Cosmetics

Muslim Pride

A timely LGBTQ memoir

Minor Hockey as Big Business

The disturbing shift from kids’ game to pricey investment

Haunted Legacy

Striking new theatre explores the wreckage of a war-torn century

Anthony Furey

Tideline

Wajdi Mouawad, translated by Shelley Tepperman

Playwrights Canada Press

166 pages, softcover

ISBN: 9780887546334

Scorched

Wajdi Mouawad, translated by Linda Gaboriau

Playwrights Canada Press

83 pages, softcover

ISBN: 9780887547607

Canadian theatre has always captured the public’s imagination, both domestically and abroad, far less than Canadian literature and music has. By the 1970s, artists such as Joni Mitchell, Burton Cummings and Leonard Cohen were already successful at home and around the world. At the same time, Canadian theatre was still in its infant stages. Theatre history texts cite Theatre Passe Muraille’s collective creation The Farm Show and David French’s coming-of-age tale Leaving Home, both from 1972, as the two seminal works of Canadian theatre. While success rates in Canadian arts and culture have always been a contentious topic, it is at least clear that the particularly local flavour of these plays was at least one factor that barred their export.

However, in recent years, this trend has changed. The productions of Robert Lepage’s Quebec-based company Ex Machina developed an international audience in the mid 1990s. Several years later, plays by the likes...

Anthony Furey is a columnist for Sun Media and the chain’s national comment editor. He’s written for various other publications including TIME and The Times Literary Supplement. Find him on Twitter at @anthonyfurey.

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