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From the archives

The Prognosis

Looking the consequences in the eye

The Passport

New-found meaning behind that slim and elegant booklet

The Canadian Conversation

A Polish journalist’s perspective on residential schools

My grandmother pinked all the seams,

protecting them with zig and zag

from an unravelling of the weave.

She taught me how to set in sleeves,

face a collar, match a plaid.

But above all insisted I pink the seams

that season of patterns and gabardine

so no dress would have a ragged edge

from an unravelling of the weave.

Sue Chenette wrote the documentary poem What We Said, about her first-hand experiences as a social worker
during Lyndon Johnson’s War on Poverty. Her latest collection, Clavier, Paris, Alyssum, is due out this fall.

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