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From the archives

The Canadian Conversation

A Polish journalist’s perspective on residential schools

This Story Is Mine

Why I’m finally telling it

Top Shelf?

This season’s roster of hockey books

Metaphor Surrendered

The heart of the story

Harriet Alida Lye

In one way, I have been writing my  memoir since I was fifteen, when I was diagnosed with a novel variant of an extremely rare leukemia, called natural killer, which had no known survivors. When I returned to high school after missing the end of grade 9 and the beginning of grade 10, I enrolled in a writing class. All of my ideas were metaphors for the fight between life and death that I felt still playing out within my body, my bloodstream.

With everything that I wrote over the years about my experience, directly or indirectly, I was haunted by the feeling that the subject matter was too narrow, too navel-gazing. Friends and family who read these early attempts tried to convince me otherwise.

“Are you sure it’s bigger than itself?” I would ask them.

Harriet Alida Lye wrote Motherclown, a novel.

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