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From the archives

Positively Shady

The glamorous activism of M.A.C Cosmetics

Muslim Pride

A timely LGBTQ memoir

Minor Hockey as Big Business

The disturbing shift from kids’ game to pricey investment

Where’s Johnny?

On the lost art of public conversation

James Brooke-Smith

When a conversation becomes a monologue, poked along with tiny cattle-prod questions, it isn’t a conversation any more. — Barbara Walters

The black and white footage begins with a medium profile shot of the subject, who sits in an executive-style leather chair. A female voice asks a question from off-screen to the left: “Mr. McLuhan, do you like TV?” As the University of Toronto professor starts to answer, he gently spins around in the chair, while the camera dollies in and cuts to a jarring close-up. He answers laconically, “Oh yes, why shouldn’t I? Any reason why not?” The camera now cuts to a position behind Marshall McLuhan and slowly pans. In the background we can see a wall of flashing electronic panels, like in the final scene of 2001: A Space Odyssey. This is interview as science fiction movie, author talk as alien encounter.

The next question comes from a man’s voice off-screen to the...

James Brooke-Smith teaches English literature at the University of Ottawa. His most recent book is Accelerate!: A History of the 1990s.

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