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From the archives

Between Words

Anne Carson’s new book-without-a-spine, and the spiritual experience of centrelessness

O Brother, Where Art Thou?

A postmodern elegy from our most original writer

Boredom as a Political Weapon

Saul Bellow fought banality—and taught us to look hard at the world

None More Black

In a blaze of spandex

Michael Strizic

Battle Axes: A Hard Rockin’ History of Pointy Guitars

Sean Kelly

ECW Press

376 pages, softcover and ebook

Humans have made music with chordophones — which produce sound through the vibration of a plucked string — for thousands of years. Much has changed since the thirteenth century BCE, when the Hittites carved a figure playing a lute into stone, but through all the incarnations of what would one day become the guitar, no evolution has been so radical as the dawn of the pointy guitar. Now a defining symbol of rock, the instrument was first considered by many to be downright absurd.

In Battle Axes, the Juno-nominated musician Sean Kelly charts the history of these weapons of sonic destruction (and creation) with an archivist’s care, an aficionado’s zeal, and bubbly, irrepressible glee. Kelly — who founded the Canadian glam rock outfit Crash Kelly, performed with Helix, and played in Nelly Furtado’s globe-trotting road band — teaches music with the Toronto Catholic District School Board. His pedagogical pedigree and insider’s industry knowledge are on full...

Michael Strizic was previously managing editor of the Literary Review of Canada.

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