Deadly germs, my mother believed,
live in cracks – particularly those gracing
diner and five & dime dishware. Sent
back, to my mortification,
any food, liquid or solid, served
in a cup or on a plate marred
by the tiniest hairline fracture.
So no surprise I’m driven to ditch
the patched, the darned, the scotch-
and duct-taped, to intercept
unsent messages, comb through books
for missing pages, suppress
aborted dreams, memories riddled
with the unresolved, for now
I, too, see menace lurking
in every fissure, extend that obsession
to the ungrammatical – the comma splice,
dangling participle, anacoluthon –
long to caulk the crevices
between floor and door, door
and frame, shudder at the split seams
in our world views, rifts in relationships,
leaks sprung in vessels consecrated
to our holiest beliefs.
Ruth Roach Pierson taught women’s history, feminist and post-colonial studies at the Ontario Institute for Studies in Education/University of Toronto from 1980 to 2001, and European and women’s history at Memorial University of Newfoundland from 1970 to 1980. Since retiring she has published three poetry collections: Where No Window Was (BuschekBooks, 2002), Aide-Mémoire (BuschekBooks, 2007), which was a finalist for the Governor General’s Award in 2008, and Contrary (Tightrope Books, 2011). A fourth, Realignment, will appear from Palimpsest Press in 2015. She is the editor of the anthology of film poems I Found It at the Movies (Guernica Editions, 2014).