Skip to content

From the archives

That Ever Governed Frenzy

Through the eyes of Jody Wilson-Raybould and Michael Wernick

Rumble on Parliament Hill

In the ring with Justin Trudeau

Return of the Robber Barons

Chrystia Freeland asks if we can tell “makers” from “takers” among the new super-rich

Dean Steadman

Dean Steadman’s poetry has been published in journals and e-zines, as well as in the anthology Pith and Wry: Canadian Poetry, edited by Susan McMaster (Scrivener Press, 2010). He is the author of two chapbooks: Portrait w/tulips (Leaf Editions, 2013) and Worm’s Saving Day (AngelHousePress, 2015). He was a finalist in the 2011 Ottawa Book Awards for their blue drowning (Frog Hollow Press, 2010). His second poetry collection, Après Satie — For Two and Four Hands, was published by Brick Books in spring 2016. He is currently reading Yann Martel’s The High Mountains of Portugal and Sue Sinclair’s Heaven’s Thieves.

Articles by
Dean Steadman

  Every year on her birthday, she captured a rush of wind in a jar and labelled the jar with the date. It was a birthday tradition she had begun as a child, a precocious three-year-old, intrigued by the idea that something invisible could be heard and deeply felt. Shelved neatly in chronological order, the jars now numbered seventy-five…