Every year on her birthday, she captured a rush of wind in a jar and labelled
the jar with the date. It was a birthday tradition she had begun as a child,
a precocious three-year-old, intrigued by the idea that something invisible
could be heard and deeply felt. Shelved neatly in chronological order,
the jars now numbered seventy-five and, as her birthday was in late December,
it was certain that if the winds were ever released, they would blow strong and
polar cold. Each jar displayed a fall...
Dean Steadman’s poetry has been published in journals and e-zines, as well as in the anthology Pith and Wry: Canadian Poetry, edited by Susan McMaster (Scrivener Press, 2010). He is the author of two chapbooks: Portrait w/tulips (Leaf Editions, 2013) and Worm’s Saving Day (AngelHousePress, 2015). He was a finalist in the 2011 Ottawa Book Awards for their blue drowning (Frog Hollow Press, 2010). His second poetry collection, Après Satie — For Two and Four Hands, was published by Brick Books in spring 2016. He is currently reading Yann Martel’s The High Mountains of Portugal and Sue Sinclair’s Heaven’s Thieves.
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