Robin Roger is a psychotherapist in private practice in Toronto, as well as a contributor to Musical Toronto and senior editor of Ars Medica.
Articles by Robin Roger
- Challah in the City (April 2016)
A review of The Book of Faith, by Elaine Kalman Naves, and The Mystics of Mile End, by Sigal Samuel - Love Hurts (September 2015)
A review of The Night Stages, by Jane Urquhart - Faithfull in Her Fashion (September 2014)
A review of Based on a True Story, by Elizabeth Renzetti - Going Home Again … or Not (May 2005)
A review of Bharati Mukherjee’s The Tree Bride - The Aftermath of Polio (March 2013)
A review of The Western Light by Susan Swan - When Catastrophe Runs in the Family (June 2012)
A review of Why Men Lie, by Linden MacIntyre - Resurrected Corpses (September 2010)
A review of Cadaverland: Inventing a Pathology of Catastrophe for Holocaust Survival, by Michael Dorland - Beyond Empathy (May 2009)
A review of The Other Sister, by Lola Lemire Tostevin - Worse Than Dying (March 2008)
A review of Carol Bruneau’s Glass Voices - Whither the Revolution? (January–February 2006)
A review of Adieu, Betty Crocker, by François Gravel, translated by Sheila Fischman